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|Nombre=Design as collective improvisation / La conception comme improvisation collective / El diseño como improvisación colectiva
|Nombre=Design as collective improvisation / La conception comme improvisation collective / El diseño como improvisación colectiva
|Tipo de Evento=Seminario
|Tipo de Evento=Seminario
|Palabras Clave=diseño concepción colectiva ronda arquitectura
|Palabras Clave=diseño concepción improvisación colectiva ronda arquitectura
|URL=https://dci2021.org/
|Año=2021
|Año=2021
|Fecha=noviembre 2021
|Fecha=noviembre 2021
|Fecha de Inicio=2021/05/15
|Fecha de Inicio=2021/04/26
|Fecha de Término=2021/07/15
|Fecha de Término=2021/06/30
|Organizador=David Vanderburgh, Christine Fontaine, Sylvain Rasneur, Iván Ivelic, Óscar Andrade, Jaime Reyes
|Organizador=David Vanderburgh, Christine Fontaine, Sylvain Rasneur, Iván Ivelic, Óscar Andrade, Jaime Reyes
|Rol de la Escuela=Co-responsable
|Rol de la Escuela=Co-responsable

Revisión del 17:37 21 abr 2021



NombreDesign as collective improvisation / La conception comme improvisation collective / El diseño como improvisación colectiva
Año2021
Fechanoviembre 2021
Fecha de Inicio2021/04/26
Fecha de Término2021/06/30
OrganizadoresDavid Vanderburgh, Christine Fontaine, Sylvain Rasneur, Iván Ivelic, Óscar Andrade, Jaime Reyes
Rol de la EscuelaCo-responsable
Contraparte(s)Faculté d'architecture, d'ingénierie architecturale, d'urbanisme, Université catholique de Louvain
Rol de la ContraparteCo-responsable
LugarEn línea
Tipo de EventoSeminario
Palabras Clavediseño concepción improvisación colectiva ronda arquitectura
URLhttps://dci2021.org/
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Design as collective improvisation

Online seminar, November 2021

Co-organized by e[ad] PUCV (Chile) and UC Louvain (Belgium)

In improvisation, there are no mistakes.
Miles Davis

Call for papers

A poet stands in the open air and declaims. It is at once about the current situation, and about all situations. It’s about how every act is poetic, in the sense of making, poiesis, and also very local. Design and building are like this at their best.

Design starts from a situation where people, materials, and tools are gathered on a site. Relations between people are complex, mediated through language and body-language. Relations with materials are constrained by what the materials allow, through “affordance”, or as Louis Kahn asked the brick: “What do you want, brick?”. Relations with tools are perhaps the most complex. As Martin Heidegger affirmed, in an example concerning the humble hammer, when we are using it, it is “ready to hand”, meaning that it is simply an extension of our bodies, our arms. But imagine that the head flies off and it becomes unusable: suddenly it is “present-at-hand”, a mere object of no use, intruding on our consciousness.