Diferencia entre revisiones de «Design as collective improvisation»
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|Nombre=Design as collective improvisation / La conception comme improvisation collective / El diseño como improvisación colectiva | |Nombre=Design as collective improvisation / La conception comme improvisation collective / El diseño como improvisación colectiva | ||
|Tipo de Evento=Seminario | |Tipo de Evento=Seminario | ||
|Palabras Clave=diseño concepción colectiva ronda arquitectura | |Palabras Clave=diseño concepción improvisación colectiva ronda arquitectura | ||
|URL=https://dci2021.org/ | |||
|Año=2021 | |Año=2021 | ||
|Fecha=noviembre 2021 | |Fecha=noviembre 2021 | ||
|Fecha de Inicio=2021/ | |Fecha de Inicio=2021/04/26 | ||
|Fecha de Término=2021/ | |Fecha de Término=2021/06/30 | ||
|Organizador=David Vanderburgh, Christine Fontaine, Sylvain Rasneur, Iván Ivelic, Óscar Andrade, Jaime Reyes | |Organizador=David Vanderburgh, Christine Fontaine, Sylvain Rasneur, Iván Ivelic, Óscar Andrade, Jaime Reyes | ||
|Rol de la Escuela=Co-responsable | |Rol de la Escuela=Co-responsable |
Revisión del 17:37 21 abr 2021
Nombre | Design as collective improvisation / La conception comme improvisation collective / El diseño como improvisación colectiva |
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Año | 2021 |
Fecha | noviembre 2021 |
Fecha de Inicio | 2021/04/26 |
Fecha de Término | 2021/06/30 |
Organizadores | David Vanderburgh, Christine Fontaine, Sylvain Rasneur, Iván Ivelic, Óscar Andrade, Jaime Reyes |
Rol de la Escuela | Co-responsable |
Contraparte(s) | Faculté d'architecture, d'ingénierie architecturale, d'urbanisme, Université catholique de Louvain |
Rol de la Contraparte | Co-responsable |
Lugar | En línea |
Tipo de Evento | Seminario |
Palabras Clave | diseño concepción improvisación colectiva ronda arquitectura |
URL | https://dci2021.org/ |
Design as collective improvisation
Online seminar, November 2021
Co-organized by e[ad] PUCV (Chile) and UC Louvain (Belgium)
In improvisation, there are no mistakes.
Miles Davis
Call for papers
A poet stands in the open air and declaims. It is at once about the current situation, and about all situations. It’s about how every act is poetic, in the sense of making, poiesis, and also very local. Design and building are like this at their best.
Design starts from a situation where people, materials, and tools are gathered on a site. Relations between people are complex, mediated through language and body-language. Relations with materials are constrained by what the materials allow, through “affordance”, or as Louis Kahn asked the brick: “What do you want, brick?”. Relations with tools are perhaps the most complex. As Martin Heidegger affirmed, in an example concerning the humble hammer, when we are using it, it is “ready to hand”, meaning that it is simply an extension of our bodies, our arms. But imagine that the head flies off and it becomes unusable: suddenly it is “present-at-hand”, a mere object of no use, intruding on our consciousness.